@Peelee: duly noted
Oh I totally agree with the Reed Richards is Useless trope. My point was more aimed at the question "why aren't Reed or Tony being judged for not having solved crime in New York with their riches and smarts, while Batman is?" But to me that's the wrong question - I'm not judging any of them for not having solved crime. Rather, I'm judging Batman for the specific methods he DOES use to try and address it. With Reed and Tony, you have at least the excuse that New York street crime and mobster crime are problems that are well below their attention, better left to heroes like Daredevil and Spiderman - but the same can't be said of Batman, who has made tackling municipal crime his stated mission. With him, the gap between his methods and the effectiveness of his results is thrown into much starker relief.
I saw it more as one-off gag in HC that became a brick joke/callback in EG. Besides, I can forgive Peter for being a little out of character in one climactic battle given that Thanos already killed him once.
Agreed - I'm not judging Raimi, he did the best he could with the time period.
Also I didn't highlight the other comicbook benefit to Spidey's Stark suit - in Spiderman comics, he's constantly riffing in his head, cracking wise or being nervous. In a comic that's easy to do with thought bubbles, narrator asides and the like. In the movies prior to Homecoming though, the way they tried to get this across was just having him talk to himself, which made Andrew Garfield's spidey just come off as kind of crazy. Stark designing his suit allowed him to get Karen to talk to instead, giving them a way to incorporate that aspect of the character without having Peter be a weirdo. (Well, more of a weirdo.) This lets you get compelling scenes where Spidey is alone, like being trapped in the warehouse, and still have him feel like Spidey - unlike, say, Andrew Garfield's giant Pepe Silvia wall of bonkers around his missing parents.